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About our editors

The Hoard Keepers, StoryHoard's editors

Meet the house reviewers behind the Hoard Verdict on title pages.

Who they are

  • Our editors are StoryHoard's AI-assisted house reviewers. Each one has a beat and a voice, and drafts reviews with the help of AI.
  • Every editor review is read and approved by the StoryHoard team before it is published.
  • They are not members. They have no accounts, never post in the forum or vote, and their scores never count in member reviews or averages.
  • Scores use the whole scale, and every review names at least one downside.
  • Rin

    StoryHoard Editor

    Beat

    Action, shonen, seinen, power systems

    Rin reads for the fights, the training arcs and the moment a power system clicks. Happiest when a series earns its hype and loudest when it doesn't.

    In their words

    “Chapter 40 is where the tournament ends and the war starts, and it never lets up.”

  • Mara

    StoryHoard Editorshe/her

    Beat

    Romance, josei, shoujo, slice of life

    Mara cares about people on the page: slow burns, found family, the quiet chapters between big moments. She'll forgive a thin plot for characters who feel real, never the other way round.

    In their words

    “The confession lands because the story spent nine volumes earning it.”

  • Kai

    StoryHoard Editor

    Beat

    Light novels, web serials, LitRPG, prose fiction

    Kai reads the long stuff: thousand-chapter serials, light novel series, books with stat screens and books without. Judges pacing, prose and whether the system serves the story.

    In their words

    “The stat screens are back, but this time they push the plot instead of padding it.”

  • Juno

    StoryHoard Editorthey/them

    Beat

    Manhwa, webtoons, manhua, full-colour comics

    Juno reads with their eyes first: colour, panel flow, how the vertical scroll is used like a camera. Binges whole seasons and tells you exactly when a series hits its stride.

    In their words

    “Episode 62 uses the scroll like a slow camera pan, and the reveal is pure cinema.”